I am very excited to announce that I was a recipient of the Brooklyn Arts Fund Grant program through the Brooklyn Arts Council for 2019.
Watch my progress as I create new works on Instagram. I will be creating new glass artworks with the grant and exhibiting them this year. Stay tuned for more information.
Image: Fran Beallor, Frilled Glacier: Chapman Glacier, Ellesmere Island, Nunaut Territory, Canada, 2014, colored pencil on laid paper
Contemporary Approaches to a Traditional Technique
A group show of NYAC Members curated by Christina Massey
Opening Reception: December 21st, 6-8PM
485 Madison Ave, New York, NY
Atmospheric or aerial perspective refers to the traditional painting technique of creating an illusion of depth or distance by making objects appear less detailed and typically bluer than nearer objects, traditionally utilized in creating realistic landscapes. It is described as the air and all the particles in it, from dust to pollution that lingers between the eye of the viewer to the distant object that is the subject.
Contemporary perspective of what exists in that air is vastly different however than in past eras. These artists touch on the subjects of smog and pollution, that our air is full of invisible wifi signals, consider thoughts and ideas as objects floating in the air, and inspect the connection to our larger celestial atmosphere which is full of satellites that can cut through all of that distance taking incredibly detailed photographs.
This exhibition takes a new approach to visualizing what exactly is the air we breathe and live in today. How that air shifts and moves through storms, thought forms and energetic waves and how everything from science to social philosophies creates that atmospheric haze that alters how we view our contemporary landscape. The overall exhibition will still highlight that gray and bluish tone of the traditional atmospheric perspective but with pops of an orange-copper glow symbolic of more modern sunsets. These color choices hinting at that technical artistic training and understanding each artist holds despite their choice to forego the traditional landscape in their imagery.
Beth Barry, Fran Beallor, Yvette Cohen, Jane Dell, Karen Fitzgerald, Pauline Galiana, Eleanor Goldstein, Peggy Klineman, Barbara Lubliner, Elizabeth Mead, Gammy Miller, Janie Milstein, Linda Lee Nicholas, Anne Raymond, Phyliss Rosser, Andra Samelson, Linda Schmidt, Linda Stillman, Audrey Stone, Robin Tedesco
For more information:
December 7 – January 19, 2019
Opening Reception: Friday, December 7, 2018, 6-8 pm
Curated by Elizabeth Riley
Nancy Baker • Jaynie Crimmins
Christina Massey • Elizabeth Riley • Christine Romanell
Linda Kamille Schmidt • Etty Yaniv
The Abrazo Interno Gallery at The Clemente
107 Suffolk St, New York NY
Open Daily 3:30-7:00 pm
The female collaborative group, Trill Matrix, has undertaken an experimental exhibition employing an open approach, rather than an umbrella approach. The artists of Trill Matrix have traveled on overlapping paths in New York City’s art communities, and in their art practices. While their artwork demonstrates a variety of strategies and materials, and they are from diverse backgrounds, they appreciate their commonalities in a hectic world and divisive cultural moment, and pass around hats as to the curatorial/organizational roles each engages.
“Trill” is an adjective used in hip-hop culture to describe someone who is considered to be well respected, coming from a combination of the words “true” and “real"; while “matrix” is a situation or surrounding substance within which something else originates, develops, or is contained.